BQEYZ BQ3 Review

Price: 60€

Where to buy: [link]

Specifications (from Head-Fi):

  • Impedance: 22Ω

  • Sensitivity: 95db

  • Frequency range: 7-40kHz

  • Driver unit: 3BA+2DD In Ear Earphone

  • Weight: About 25g±5g

  • Cable Type: 0.78mm Pin


Thanks to Elle from BQEYZ for providing this review sample.

Never thought what BQEYZ stands for? They claimed “Best Quality Earphones (for) You”. And then Z, because why not. 

Unboxing and first impressions

I’ve never tried any BQEYZ products before. But I know it’s a famous brand in the Chi-Fi game. The BQ3 come in a black cardboard box, with some information around the box itself and a picture of the buds on the front. On the inside, there are the buds and the silicon tips (3 pairs) inside a foam, and a soft carrying pouch which contains the cable. The buds are completely made of metal, which is great, and they have an unusual design which is original but it doesn’t seem very comfortable. After trying them, I have to say they are not only extremely comfortable, but they also isolate incredibly well! The cable is a good unit, which reminds me of the TRN IM1/V30 cable, but it’s not the same one. There’s a mic on my version, which works very well. The only disadvantages of the cable are: the chin slider is there, but on a wrong position, because it’s below the mic and it cannot reach your chin; it tangles pretty easily. Overall, I’m not a fan of the design but I like everything about the build quality, the accessories and the comfort.



My sources: FiiO M7, Mi MIX 2 with DAC Zorloo ZuperDAC-S and MacBook Pro 2012 with USB audio interface Focusrite 2i2 first gen, iFi xDSD, XDUOO XP-2

My files: DSD, FLAC, ALAC, MP3, M4A, MQA on TIDAL Master Quality

My music: “Colour the Small One” by Sia, “Djesse Vol.1” by Jacob Collier, “Where are You?” by Frank Sinatra, “Ghost Stories” by Coldplay, “O” by Damien Rice, and many other tracks by Queen, Pink Floyd, Genesis, Radiohead, … 


I don’t know why, before trying the BQ3, I was biased, thinking these IEMs were sibilant, sparkling, sharp. Luckily, I was completely wrong. The first thing I’ve noticed was the good sense of space: the treble is slightly elevated, so the perceived stage is wider than average. And there’s a good imaging too, very smooth around the soundstage. What doesn’t convince me is the instrument separation: when the mix is full, I hear some congestion, like the crossover had to be improved. So, I can say that I would work a little bit on the layering, but the tuning is absolutely mature. In fact, there’s a balanced graph here (from what I perceive) if you think about a frequency response reproduction. I would say this is a similar sound signature to the Tin HiFi T2, with a little bit more bass. I like the control of the mid-bass which doesn’t fall on the midrange, and I like the depth of the sub-bass which is very noticeable. Mids don’t feel recessed, even though there’s a smooth U which gives a pleasant dark background; vocals are forward enough to sound embracing and they can shine through the mix. I particularly appreciate the male vocals here, because of the timbre. That being said, the female ones are great too, because of the sparkling treble; this is usually a con for me, because it tends to cause some sibilance (I’m very sensitive to it), but surprisingly they kept the good and left the bad of this kind of tuning. It’s important underlining that these earphones don’t need amplification, even though the driver configuration may suggest you could (3BA+2DD!). I’ve easily used them with the stock dongle of my Xiaomi Mi MIX 2 with Tidal on MASTER quality, and when I switched to something like the Zorloo ZuperDAC-S or my audio interface on a desktop setup (Focusrite 2i2), I didn’t feel like there was a massive increase in the performances. I feel like there’s a slight upgrade on the layering definition, but very marginal. They are very pleasant with the iFi xDSD, which I have in test, because it’s a pretty warm DAC in my opinion. I like them slightly less with the XDUOO XP-2 because it’s on a brighter side, and it doesn’t mitigate the emphasis of the IEMs’ treble. Overall, there aren’t really a lot of negative things about the BQ3’s sound. In my opinion, they are one of the more complete choices for about 50€.



Tin Audio T2 (2019 version): even though I prefer the look and the presentation of the T2, I find them a little bit too big for my ears, so… comfort-wise I’d go for the BQ3. As I’ve said before, I find the sound signature of the two being very similar, with less bass on the T2 but a better instrument separation. Consider that the T2 can be sometimes found for half the price of the BQ3, and they are very close. If you find the T2 for less than 30€, go for them. If you want something less mainstream but extremely valid, the BQ3 are absolutely great for being a sub-100 IEM.

KZ ZS7: I love their look (I know, Campfire, it’s your look), and I like their warm sound. I have to admit that sound-wise the BQ3 are a better choice: more clarity, better vocals, a more controlled bass. But I’m a design lover, and BQ3 don’t shine that way. The stock BQEYZ cable is better than the KZ counterpart. And the isolation provided by the BQ3 is superior to the ZS7 one. And KZ doesn’t give you a carrying pouch. Neither their stock ear tips are very good. BQ3 here are a rational choice. But I still love the ZS7 to be a “wannabe” Andromeda.

SIMGOT EM1: a little bit pricier, they are one of my all-time favorite IEMs. Not the widest stage, not the craziest detail, but a reliable sound signature for every situation. BQ3 have better materials, a wider stage, more detail and air in the vocals. Speaking about quality for the price, BQ3 are a bit superior. But Simgot provides a better cable and a magnificent set of silicon eartips to tune the earphones finely.




For being my first BQEYZ experience, it’s been a great start. This is a solid product with just a little refinement to do, to reach the top for the price range. I’m very impressed by the build quality, the isolation, the mature tuning and I’m surprised to appreciate a sound signature which is closer to the brightness than to the neutrality. I’d say it’s incredible to find something like this for under 100€, but these last two years have been so absurd for the Chi-Fi market that I’m not so surprised anymore: you will absolutely love the BQ3, but at the same price you find the Tin T3, too (which I didn’t compare before because for me they are not so worthy for the price, considering the crazy cheapness of the T2… but that T3’s cable!) and you can buy two sets of Tin T2 themselves. Think about it. I recommend the BQ3, but l suggest to find a great deal for a special occasion.




  • Build quality

  • Cable

  • Microphone

  • Carrying pouch

  • Mature tuning

  • Soundstage and imaging

  • Almost no sibilance

  • Easy to drive despite the high amount of drivers



  • Mediocre instrument separation

  • Bad position of the chin cinch

KZ ZS7 Review

Price: 50$ (Amazon), 35$ (AliExpress special deals)

Where to buy: (US) or (Italy)


  • Impedance: 24Ω

  • Earphone sensitivity: 105dB/mW

  • Frequency range: 20-40000Hz

  • Driver configuration: 1 DD + 4 BA


Thanks to Easy Earphones (YinYoo) for providing this free unit to review.

So, here I am with my first KZ review in English. My previous experience with this brand wasn’t that happy (ZS3 and ES4, which I didn’t really appreciate). The first was too bassy, the second was too big and the sound – even if more balanced – wasn’t my cup of tea. Now I have the ZSN and the ZS7, and I can appreciate the progress of Knowledge Zenith. I wouldn’t expect this quality from a brand which didn’t surprise me in the past, at all.



Unboxing and first impressions

Like most of the people who want to start their IEM journey, KZ was one of the first brands which came to my ears. I was interested in trying the ZS6, but I changed my mind for the RevoNext QT2, a similar pair that I believed was superior. Since then, I hadn’t the opportunity to try the ZS6 nor to compare them, obviously, to the QT2; but I’m here now with the new model, the ZS7. The ZS7 share the same design as the ZS6, but the internals are the one you can find in the ZS10. So, even if this can make you confused, we are talking about a hybrid earphone, with 1 dynamic driver and 4 balanced armatures per ear. This is a similar configuration as the BGVP DMG, NiceHCK M6 (which I both reviewed here, in Italian) and the YinYoo D2B4 (yes, the “D2” name is a little tricky, but it may be actually a double diaphragm single dynamic driver). The fact is: the price of these multi-balanced hybrid earphones is actually really low. For 50$ on Amazon and even less on AliExpress, you can have a really solid model. Starting from the box, which is an elegant black cardboard with a book-like opening. Inside you find the buds, in their amazing electric blue, and underneath the foam you find the manuals, the eartips (unfortunately, the classic KZ ones) and the cable – which is so bad that I didn’t even open it, because I know it and I hate it. Luckily, YinYoo sent over a cable by themselves, which is perfect for this situation (if you want, you can find my review of it in Italian here). I have a color disease, but for me this coppery/pinkish color of the cable is a great match with the blue buds. The metal shell is really solid and very well assembled – I saw some macro photos before having my pair, and they looked kind of summarily assembled, but mine are actually well done. The back of the buds is black, but still metal; even the nozzle is made of aluminum. Because I put a cable which isn’t the stock one, I’ve also used some different eartips: I took the ones of the BGVP DM3, which I don’t use because they fall off my ears too easily. They are white too, which I prefer to the classic gray tips. The fit is strangely good, and not fatiguing. I can’t stand the QT2 which are similar, but these are better shaped, maybe.


Right message, wrong language

Right message, wrong language



My sources: FiiO M7, Mi MIX 2 with DAC Zorloo ZuperDAC-S and MacBook Pro 2012 with USB audio interface Focusrite 2i2 first gen.

My files: DSD, FLAC, ALAC, MP3, M4A

My music: “Colour the Small One” by Sia, “Djesse Vol.1” by Jacob Collier, “Where are You?” by Frank Sinatra, “Ghost Stories” by Coldplay, “O” by Damien Rice, and many other tracks by Queen, Pink Floyd, Genesis, Radiohead, …


Considering my previous experience with KZ, I thought I would have found a disappointing sound. I didn’t. These are my favorite KZ among the ones I’ve tried, and also among all the earphones I have. I’m a design lover, a music lover, I pay attention to various things. You can propose me the best sounding earbuds in the world, but if they are made of plastic, the fit is bad and they look ugly, I can’t appreciate them. Earphones are tools, but they are also jewelry nowadays. I can talk about them through the eyes (and ears) of mine as a musician or as an entire person with a lot of interest. KZ ZS7 are good. Good-looking, at first. Good-sounding, at last. I don’t usually like this sound signature: everything is in its right place, until you hear an exaggerated enhancement in the mid-bass area. But this is actually good. Once you understand that you can’t monitor your recordings with them and you have to pair them with particular genres, the way is clear. They are fun, exactly the same way as they look. You can chill with them, you can relax with them. The sound doesn’t reflect the angular shape, though. It’s not sharp, not harsh, not sibilant. This may sound like heaven, for someone like me. It’s not heaven, but it’s absolutely an enjoyable place.

Bass: not the best here. Sub-bass is lacking, mid-bass is emphasized. If I had to find the issue with these IEMs (apart from the cable), it would be this one. Once you get used to this, though, you appreciate the bump. Bassheads will be fairly pleased with this pair. I would rather have more speed and less oomph, because the mids may suffer from that. But I’m okay with the extension and I can survive with the emphasis.

Mids are great. Even with the “invasion” that sometimes comes from the bass. I like voices, I like the space between the instruments, their layering. Maybe you can expect more detail by a set of four BA, but I don’t feel I miss any main focuses in my music. Vocals aren’t sibilant. This is something I’ve waited for since a long time, for a KZ earphone. I like everything of the sound, honestly, apart from that bass. Treble is smooth, not extreme but luckily not harsh. I enjoy it, and I’m not an easy person to satisfy when it comes to high frequencies. Even the highest voices are well controlled, and don’t miss any air or space. The soundstage is average. Not the widest, not the deepest. But the imaging is very precise, so you can enjoy your perceived little room and be happy. The intimacy is achieved. I wouldn’t call this stage “small” in a negative way. It actually opens up when the recordings are well done. But I’d call it intimate, because it’s very in-your-head sometimes, without being intrusive. And the mid-bass presence actually gives a very warm color to the signature which is really emotional. I have to say, I’ve wanted to like KZ since a long time, but it’s been hard, until now. ZS7 are a game changer for this brand.




This is a very interesting moment: the price range is challenging and I have a lot of competitors. I’ll write some, but if you need others, write me on the comments or contact me anywhere.

YinYoo V2: they are among my favorites IEMs. I still prefer them over the ZS7, because they come with better accessories (carrying case, better cable, better tips). Even the sound signature is suitable for more genres, because its bass is more controlled. I’d rather the ZS7 design. I say it now: it’s neary a 1:1 clone of the Campfire Audio Andromeda (and Polaris). I don’t appreciate brands which clone stuff, of every genre. They are even more similar to them than the RevoNext QT2. That said, I love the Andromeda design, so I cannot dislike the ZS7 that way. It’s not ethical, though. If I had to choose, I’d take the V2.

ADVANCED Model 3: they are similarly tuned. But the mid-bass bump is more exaggerated on the Model 3 (strange to say!). I love the Model 3 because of their design, their accessories, their shape and their fit. That said, the ZS7 are better built and to my ears they are more finely equalized. OT, I’m curious to try the new models of ADVANCED, because they have the perfect shape for me, and a more similar driver configuration to these ZS7 (even though I continue to like the dynamic vibes). I’d choose the ZS7 between the twos (I’m talking about the wired version of the Model 3 in this comparison).

RevoNext QT2: I like them, I don’t like them as much as the ZS7. They are very differently tuned, QT2 are on a reference side and they are bright, while the ZS7 are dark and fun. Same accessories here, so I can give you my preference: ZS7, because QT2 are too sibilant and I can’t stand that. And ZS7 are more comfortable.



This time they did it: Knowledge Zenith is improving. I (more than) like the ZS7, and they are on my top list now. If they put a better cable instead of that crappy memory wire one, the improvement will be complete. And they could compete with the bigs. They just need a little bit of refinement in the tuning. But the ZS7 are solid, and I’m happy to recommend them.

YinYoo Y1 Review

Price: 25€

Where to buy: [link]


  • Impedance: 16 Ohm

  • Sensitivity: 96±3db

  • Frequency response: 5-40k Hz

  • 1 Dynamic Driver


Thanks to AK Audio for the review sample. I have the black version with mic. You can choose it without the mic and there’s a rose gold option too.

The foam tips are not included

The foam tips are not included

Unboxing and first impressions

If you are familiar with YinYoo and NiceHCK, you will know what to expect by their packaging. Here we find a cardboard box, which contains a carrying hard case, which in turn contains the earphones and the eartips. Very simple, but functional. The cable is not removable, and it has some controls on the wire (one button, which can play/pause and skip tracks with different actions). The button has a good click and it works perfectly. There’s a nice working microphone too. The problem is: I really don’t know which earphone is the right one, because they are both marked as left. With a simple test, I understood the right one is the one with the wire controls. Apart from that, I love the design, the materials and the build quality of these earphones. They are made of metal and ceramic, and the cable reminds me of the Meze 11/12 series. There’s a mesh filter, which I believe it’s made of tissue. On the connector and on the Y split there are some reinforcements, so I’m 100% satisfied with the build quality and I’m not worried about the resistance of these buds. The fit is average, for my ears which aren’t easy to match with classic in ears. With some foam tips they are more stable. It’s a bit better than the fit I had with the Meze 12 Classics, which I really cannot wear without them falling.



My sources: FiiO M7, Mi MIX 2 with DAC Zorloo ZuperDAC-S and MacBook Pro 2012 with USB audio interface Focusrite 2i2 first gen.

My files: DSD, FLAC, ALAC, MP3, M4A

My music: “Colour the Small One” by Sia, “Djesse Vol.1” by Jacob Collier, “Where are You?” by Frank Sinatra, “Ghost Stories” by Coldplay, “O” by Damien Rice, and many other tracks by Queen, Pink Floyd, Genesis, Radiohead, …


I don’t think these earphones have been successful. I didn’t read any reviews (because I didn’t search, but even on social networks nobody seems to have shared his review). So, I guess it’s something that sounds unusual and doesn’t encounter people’s taste. After trying these earphones, I’m not sure if this is true. I liked them. They are cheap and they are meant to be considered a first buy, or just an upgrade from your phone’s stock earphones. But even by choosing these consciously, for me they would be very nice sounding. They are, actually.

They can be considered V-shaped. It’s nice to have this signature in a consumer-oriented pair of earphones. They can suit a lot of genres and answer to the needs of everyone. Sure, I’d prefer a flat signature if I could choose, but I’m perfectly fine with this one. Especially because the driver (a single dynamic) has a really good quality and the tuning is good. I tried the V2 by YinYoo before, and they still are one of my overall favorite earphones. It seems that these ones could be good too, in a different way. I don’t generally like non-detachable-cable earphones, neither classic in ears (I’d rather have an IEM style); but the general quality make me appreciate these Y1 as a whole.

The first thing I liked is the soundstage: I generally like a wide, extended perceived stage; the Y1 are not crazy wide, but they don’t feel congested and the imaging is pretty precise, so you have a sense of immersion which is enjoyable and far from the bad holographic try of the KZ ES4, for example. The sub-bass is smoothly reached and give a nice background to these earphones; the mid-bass is luckily controlled and it doesn’t fall on the midrange, which I’m surprised of, because cheap earphones tend to have issues on that area. Mids are a bit recessed, but lively enough. The instrument separation in that area is better than average, and there’s a good layering. The best thing of the whole play is the sense of space, which feels true. Vocals are relaxed, not sharp at all (which I like), even on tracks which are often critical with some sets. Treble is very nice, with nearly no sibilance nor harshness. There could have been the classic pick on the upper midrange to give a touch of color and clarity and widen the stage; there isn’t, but I don’t miss it, though. It could have ruined this relaxed tuning, which at the same time doesn’t miss any energy.



I’d like to compare some models differently from the other times. Considering this is barely “moddable” (not having a removable cable), I will put them face to face with other similar earphones in their concept.

BGVP Sidy DM3: really capable, but immature. Y1 are better, even though DM3 (which are pretty old I think) were trying to surprise with vocals and space. The tuning was really bad, though, because they wanted to enlighten certain aspects, by sacrificing others – maybe more important. So, the tuning is very strange on DM3, but you can like them as you like, for example, the Simgot Meeture MT3: for vocals. Y1 are an overall better choice, because they are tuned in a more mainstream way.

Meze 12 Classics: they are better in an absolute way, but considering the price range I’d go 100% on the YinYoo. Same qualities on the outside, different ones on the inside. I don’t love the darkness of the 12 Classics, neither their congestion. Y1 are closer to my taste.

ADVANCED M4: considering these are among my all-time favorites, it would be hard to make them lose. They are pretty different in their sound signature, much flatter than the YinYoo. I won’t say the Y1 lose here, though: they are cheaper and they are absolutely worth the money. I prefer the M4 because they are more suitable for my needs (music production, ecc..).



Even though they don’t make the best impression with that poor quality control (both buds are signed as left), the YinYoo Y1 look gorgeous and they are perfectly crafted with premium materials. I like the sound too, for me it is solid and mature enough to suit the needs of the majority of people. The stage is impressive, not for width but for precision and imaging and they really provide a pleasant overall sound that I couldn’t but recommend.


Simgot EM1 Review

Price: 80$

Where to buy them:


  • Transducer unit: 10mm high magnetic composite dynamic driver

  • Diaphragm: Polymer composite titanium-plated diaphragm

  • Frequency response: 15Hz-40kHz

  • Sensitivity: ≥101dB (at 1000Hz)

  • Impedance: 16Ω

  • Distortion: <1%  101dB(20μpa)

  • Channel imbalance: <1.5dB(at 1000Hz)

  • Rated power: 10mW


Thanks to Simgot for the review sample.

It’s been awhile since I’ve tried my first Simgot set of earphones, the Meeture MT3 (here my Head-fi review). I kind of liked that monitors, with a particular vocal-centered tuning which makes them perfect for singers’ live stages. They were comfortable too, so with the right eartips they were a really capable IEM. However, the tuning was a little bit unorthodox, that’s not a bad thing, but it’s something you need to get used to. These EM1, instead, are very well-tuned and easier to appreciate. Let’s see why.

Unboxing and first impressions

As you can see, the difference between the boxes is noticeable: I liked the rational small white box of the MT3, but this bigger black one of EM1 is classy and more elegant. There’s a High-Res certification and some black-on-black pictures and specifications on the various faces of the box: I like this style, but I have to say it’s a bit difficult to read what’s written.


As always, we find a soft carrying pouch with a good number of silicon eartips: 3 wide bore ones, 3 small bore ones. They really change the sound a lot, so be careful to try them all before judging the set. Like on the MT3, I prefer using the wide bore tips, because the sound is more balanced and less “boomy” than the sound provided with the others. It’s nice to see a description of how the sound changes depending on the eartips used, not just because they help with your choice, but because it’s very accurate. Unfortunately, there aren’t any foam tips, but the nozzle is pretty standard: I’ve tried both the Tin HiFi foams and the NiceHCK foams and they all fit very stably. The cable is really good: the same as MT3, a really well-made braided one. It’s oxygen free, 4 core, 6N of purity; a standard single-ended 3.5mm gold-plated jack and 2-pin 0.78mm connectors for the buds. There are pre-curved hooks and they are very comfortable, and there’s a chin slider too. The IEMs themselves come in a beautiful choice of colors: even though you can buy an all-black model, mine has the right earbud in red and the left one in blue. This makes it way easier to recognize which way to wear them. And the eartips are red/blue too, so it’s a beautiful touch. The buds are made of metal and plastic and they are actually the best plastic earphones I’ve ever tried regarding the build quality. It’s a translucent colored plastic, so you can still see the internals: you can notice the dynamic driver, which is the only one used in this set. The nozzle and parts of the faceplate are made of metal. There are some elegant writings. Overall, design wise this set is one of my favorites.



My sources: FiiO M7, Xiaomi Mi MIX 2 with Zorloo ZuperDAC-S as DAC/Amp, MacBook Pro 2012 with Focusrite 2i2

My files: DSD, FLAC, ALAC, MP3, M4A

My music: “Colour the Small One” by Sia, “Djesse Vol.1” by Jacob Collier, “Where are You?” by Frank Sinatra, “Ghost Stories” by Coldplay, “O” by Damien Rice, and many other tracks by Queen, Pink Floyd, Genesis, Radiohead, Jack Garratt…


When you try a lot of earphones, it’s difficult to get surprised: some sets have a good tuning, but they lack of detail, or vice versa. Some others have a really good bass, but they fall on mids and highs; it’s difficult to find a 360° convincing IEM, because brands obviously have to aim at a particular feature, especially on the budget area. Well, for my taste, this is one of the most convincing earphones under 100$. I may say this now is my favorite IEM.

Usually, when I start trying an earphone, I immediately understand a general tuning of it. Whether it’s a flat one or a “V” one, a balanced or a flat. In this case I needed more time to understand. First, I thought this was a warm set. Because bass sounded very punchy, quick, perfectly controlled with a dark background. Then I thought this was a bright set, because I started hearing some sparkles and a slight sibilance. So, I started thinking about a classic V-shaped signature, but I heard no evident fall on mids. Well, this became a really interesting set. I’d say, after listening to them for some time, that I’d remain with the initial impression of a dark background: the overall bass area is solid and gives warmness to the scene. That being said, the treble is surprisingly capable with a great detail and some sparkles, which however don’t bother me, as a really treble-sensitive person. I still hear some sibilance, which it’s not a characteristic of this set, but it’s an evidence of some not-so-well recorded songs: exactly like on Tin HiFi T3. Mids are great: I think they are slightly recessed, because the final impression I have is having a smooth U-shaped signature, which isn’t lacking of body nor lacking of air, though. I hear a very good separation between instruments and a pretty airy sound, with good detail and resolution. Soundstage is average: it doesn’t feel very wide, but neither inside your head. It’s something close to holographic which however doesn’t give the impression of a “virtualization”. And imaging, through this perceived small room, is actually pretty accurate.

To summarize: bass is very well-extended on the sub-bass area, present but controlled, punchy and pleasant. Mids are clear, with airy vocals and a good layering between instruments. Treble is solid and absolutely not rolled off, with a precise and analytical feel. Soundstage is average in width and depth, but imaging is really believable.


em1 2.jpg
em1 1.jpg


Simgot Meeture MT3: while they share the same accessories, materials and build quality, sound wise they are pretty different. Depending on the tips, MT3 can sound really V-shaped (small bore) or mid-centric (wide bore). EM1 are more balanced and provide an overall signature that’s more classic and pleasant. I could recommend the MT3 to singers for their live stages; but I can really recommend the EM1 to anyone, whether for music listening or music production or exibitions. These are really solid universal IEMs with no compromises. You can find the MT3 here:


Tin HiFi T3: when I said that most of the times brands need to make decisions, I meant that earphones like Tin T3 are amazing under certain ways, but average on some others. T3 are fantastic if you need detail, they have a really good bass yet remaining bright and they absolutely don’t fall on mids. And they have the best cable on a budget, too. But they are less comfortable to wear and more fatiguing to listen to. I feel that EM1 are more cohesive in their frequency distribution – but it’s easily because of their only dynamic driver, while T3 are a hybrid solution. I personally choose EM1: they may be meant for a more casual listening, because of their less-analytical signature, but they are more pleasant to my ears and they don’t really make compromises. T3 do maybe “too much”: they need to smooth their treble a little bit. Still a great set, though, with a stunning design. In absolute terms, they may be superior. For my personal taste, which requires a more controlled treble, EM1 are a better choice. You can find the T3 here:


BGVP DMG: very different in terms of drivers (it’s a 5 or 6 drivers hybrid), and also in terms of sound. DMG are more sibilant, and provide a less smooth sound through the frequency range. They are warm too, but they aren’t as punchy neither as controlled as the EM1. I like EM1 treble more, too. Mids are similar and soundstage depth too. Fit wise, they are both great and not fatiguing. I like them both, honestly; DMG may be a little bit more detailed thanks to their multi-balanced configuration, but the overall experience of EM1 is closer to my taste. You can find the DMG here:

em1 e dap 3.jpg
em1 e dap.jpg


EM1 are an easy recommendation for me. I wasn’t so sure about MT3, but this set here is close to perfect for my taste. If you search for the most balanced choice in every way, consider this set. If you are more into crazy detail or very wide soundstage, there are better earphones, which aren’t that solid though, at least for what I think. This actually is one of my favorite IEM ever – and it proofs what you can do with a single dynamic driver, even on a budget. Highly recommended, in the end.